Is Anybody Here NOT Into Lou Reed?

For discussion of all aspects of the New York legends.
iaredatsun
Now jelly rolls in the street
Posts: 1894
Joined: 08 Jun 2004 21:38
Location: London, Texas

Post by iaredatsun »

Transformer was my first and probably bought before the VU&N and WLWH. I bought everrything from 1st up to and including Coney Island Baby and RnR Animal. I then got rid of everything apart from MMM and 1st. I still like Lou Reed 1st for its upfront and very upbeat sound (and despite the session musicians and backing singers) and I really like the version of Ride Into The Sun.

I still love the MMM LP for its extreme f*** you bad boy statement and foolhardy bravery in the face of commercial pressures, but musically I admit it's weak when you compare with other work in that area. The reissue does nothing much as they couldn't even join the tracks up and it doesn't really have the infinite loop.

I used to listen to Legendary Hearts in the 80s (nice guitar and some upbeat funny and poignant songs) and then recently bought it on reissue and the Transformer (e.g Hangin' Around) and Coney remasters. I still like those albums and like Charlies Girl ('If I ever see Charile again I'm gonna punch her face in' is mean but affectionate) and Coney Island Baby song. CIB has a great sound on the remaster.

I like him best when he is coming up with those great one-liner gags that also show when he's in a relaxed and playful mood (Andy's Chest, Foggy Notion, She's My Best Friend, Hangin' Around). Like - 'Here's to Mulberry Jane, she made jam when she came. Somebody cut off her feet and now jelly rolls in the street'. Always makes me smile.

I hate it when he gets too serious about 'rock and literature' or morose and I hate it when he rattles through his songs like he's just getting a job done.

So I do have an affection for some of his solo albums and work but I wouldn't say I'm a big Lou Reed fan.
Last edited by iaredatsun on 07 Dec 2006 01:40, edited 1 time in total.
underground, overground
Pig Related
On the wild side
Posts: 158
Joined: 24 Aug 2004 15:35
Location: Belgium
Contact:

Post by Pig Related »

I always thought it to be strange that the John Cale, Lou Reed and Velvet Underground fanbases are so polarized. You can see this most clearly on the internet with the Lou Reed forum, The Velvet Underground forum and the John Cale mailing list.

Anyway, I like all of their music with rare exceptions (Mistrial, Artificial Intelligence, although in both cases mostly because of the production). I'll always like the Velvets best, though.

Another thing that's weird, is the lack of recognition for the post-1980 Lou Reed. Come on, The Blue Mask, New York, Songs For Drella, Magic & Loss and maybe to a lesser extent New Sensations and Ecstasy. All great!
iaredatsun
Now jelly rolls in the street
Posts: 1894
Joined: 08 Jun 2004 21:38
Location: London, Texas

Post by iaredatsun »

Pig Related wrote:I always thought it to be strange that the John Cale, Lou Reed and Velvet Underground fanbases are so polarized. You can see this most clearly on the internet with the Lou Reed forum, The Velvet Underground forum and the John Cale mailing list.
I'm afraid I can totally understand it. The VU were one thing the solo artists were quite another. Just not the same. The VU were a group sound that was bigger than the individuals, the individuals were only ever just themselves.

For example the only Cale album I have and like is Church of Anthrax (which wasn't a solo album and I'm a big early T.Riley fan). I've never felt he could write a good song or lets just say one that I liked. Cale could however create a great sound with other artists (Nico, Stooges, Modern Lovers) and that was his strength. Lou Reed could write good tunes and lyrics and that at least makes a great working foundation and makes some of his solo work entertaining for me - but he could never allow himself to ever really collaborate again after the VU (for whatever reasons) and that was his real weakness .
underground, overground
Doctor Bob
Head held high
Posts: 275
Joined: 24 Mar 2004 07:32

Post by Doctor Bob »

Reed is God

Everything he's ever done is sheer genius

And for the record, Transformer is one of his weaker albums (which obviously still makes it one of the greatest albums of all time)

He's the greatest icon in the history of Modern Music

Just my $0.02
User avatar
MJG196
Born to Lose
Posts: 2089
Joined: 11 May 2004 11:54
Location: Northern Virginia, USA
Contact:

Post by MJG196 »

Doctor Bob wrote:Everything he's ever done is sheer genius


DISCO MYSTIC!
Bargain bin gold, favorite bands, concerts, photos, and my record collection: All Good Music
Pig Related
On the wild side
Posts: 158
Joined: 24 Aug 2004 15:35
Location: Belgium
Contact:

Post by Pig Related »

iaredatsun wrote:I like him best when he is coming up with those great one-liner gags that also show when he's in a relaxed and playful mood (Andy's Chest, Foggy Notion, She's My Best Friend, Hangin' Around). Like - 'Here's to Mulberry Jane, she made jam when she came. Somebody cut off her feet and now jelly rolls in the street'. Always makes me smile.
That reminds me, in the same song there's the line 'Let's hear one for Newspaper Joe, he caught his hand in the door'. Did Lou Reed come up with this line or is it some saying I don't know about?

I'm asking this because in the song 'The Man Who Would Be King' by The Libertines they sing this line somewhere near the end of the song. It could be they just borrowed it from the Velvets since Carl Barât is a Velvet Underground fan (if I remember correctly). I like to see it as a little tribute to The Velvet Underground.

Sorry if this is a bit off-topic.
Doctor Bob
Head held high
Posts: 275
Joined: 24 Mar 2004 07:32

Post by Doctor Bob »

That's a Reed line and the Libs just referenced it because, as you say, Carl is a VU fan.

Disco Mystic is genius.
iaredatsun
Now jelly rolls in the street
Posts: 1894
Joined: 08 Jun 2004 21:38
Location: London, Texas

Post by iaredatsun »

Doctor Bob wrote:Disco Mystic is genius.
I haven't heard this, to my knowledge. How is it genius, if you don't mind me asking? And what is the rest of that album (The Bells) like?
underground, overground
kaisersose
Hangin' 'round
Posts: 75
Joined: 08 Dec 2006 12:20

lou reed

Post by kaisersose »

Problem with Lou is that he cant sing anymore. He can only talk. & he must do it slowly. RCA used to manipulate his voice o lot (lower basses,etc...)& it worked so fine, great. Everytime he tries to sing now is a disaster. Is been like that by the times of Growing up in public. When he sings he reminds me of Donald Duck.In the Velvet reunion his voice was a disaster; he should have leave Cale singin mostly of the songs. I mean Lou is a great artist,but he cant sing. I hope he will perform Berlin in the old way, leaving Frank Sinatra & the Tai Chi master at home. By the way his poor dog is having a walk on the wrong side. :twisted:

Image
GOT MY EYES WIDE OPEN
Jez
Head held high
Posts: 210
Joined: 08 Dec 2006 13:42
Location: England

Post by Jez »

Never a Lou Reed fan to the same extent as Doctor Bob, but bought most of his albums during the 70's, of which "Transformer", "Berlin", "Rock'n'Roll Animal" and "Street Hassle" stood out the most for me. I expect to get some stick for this, but I hated "MMM". Apart from "Songs for Drella" (great) I didn't buy much after "Blue Mask". Saw him a few times as well. Could say the same for Cale (loved "Paris 1919") and Nico, although more into the latter.

But the Velvets were a magic mix at a special time and no-one ever came close as far as I was concerned. Lou could still sing a bit back then. As a song writer though, no-one can touch him in my opinion.
Post Reply