Nice. Agreed. Or to put Reeds vocals from VU era when he could actually sing.I am the table! wrote: ↑28 Nov 2023 16:53If AI could be used to create a vocal-less Live MCMXCIII, that would be a Very Great Thing.
Bootleg with AI...
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- Head held high
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Re: Bootleg with AI...
Re: Bootleg with AI...
C'mon...we would all buy any new edition of Max's material! Just adding another 1/8th of an inch to our VU vinyl collection makes me happy! Anyway...if Peter Jackson's computer-aided release of The Beatles Star-Club material is profitable, then we will see much more interest in this kinda thing. Bring it on...
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Re: Bootleg with AI...
Joking aside, I could probably live with Lou's 1990s "shiny shiny" vocal extemporisations if the mix of the music had been given any kind of balls. It all just sounded so clean and nice, so the fact that Lou was avoiding the actual vocal melodies like an ex at a party was really the final insultpeppergomez wrote: ↑03 Dec 2023 02:48Nice. Agreed. Or to put Reeds vocals from VU era when he could actually sing.I am the table! wrote: ↑28 Nov 2023 16:53If AI could be used to create a vocal-less Live MCMXCIII, that would be a Very Great Thing.
Re: Bootleg with AI...
Chelsea Girl with the flutes and the hokey orchestration removed could be interesting.
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Re: Bootleg with AI...
some guy did demix the Chelsea Girl LP a couple of years back to remove the flutes - was definitely interesting. Not sure if it's still online anywhere. His name was Allan Okada
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Re: Bootleg with AI...
The blog "Albums That Should Exist" has used the new AI technology to increase the vocals on both nights of End of Cole Avenue and it came out pretty good! The first night was always pretty unlistenable because of the low vocals. This new version is not perfect but it's a lot better. You can find them here:
10/18/69: https://albumsthatshouldexist.blogspot. ... ve_11.html
10/19/69: https://albumsthatshouldexist.blogspot. ... e-ave.html
They also did Live at Max's but I haven't checked that one out
10/18/69: https://albumsthatshouldexist.blogspot. ... ve_11.html
10/19/69: https://albumsthatshouldexist.blogspot. ... e-ave.html
They also did Live at Max's but I haven't checked that one out
Re: Bootleg with AI...
The result is good. I would like to hear the same treatment in more important recordings, for me, like the one in 66 with Nico and the live in the gymnasium
Re: Bootleg with AI...
The "Albums That Should Exist" site makes heavy use of the free Ultimate Vocal Remover (UVR5) tool.
https://ultimatevocalremover.com
I had a quick play around with it using the default settings to extract the vocals from a couple of VU tracks, boost them in Audacity and then remix them with the instrumental stem.
The tracks I picked were:
1) "Guess I'm Fallin' in Love" (the studio/live mix uploaded to YouTube several years ago) &
2) "I'm Gonna Move Right In" (Boston Tea Party, 10 January 1969)
Here are the results:
https://drive.google.com/file/d/1Wf0jdu ... sp=sharing
https://drive.google.com/file/d/11XA5V2 ... sp=sharing
They sound pretty good to me.
https://ultimatevocalremover.com
I had a quick play around with it using the default settings to extract the vocals from a couple of VU tracks, boost them in Audacity and then remix them with the instrumental stem.
The tracks I picked were:
1) "Guess I'm Fallin' in Love" (the studio/live mix uploaded to YouTube several years ago) &
2) "I'm Gonna Move Right In" (Boston Tea Party, 10 January 1969)
Here are the results:
https://drive.google.com/file/d/1Wf0jdu ... sp=sharing
https://drive.google.com/file/d/11XA5V2 ... sp=sharing
They sound pretty good to me.
Re: Bootleg with AI...
Good result!. The musical part should be balanced and strengthened because as we listen to it now they are disconnected. However, the amateur result is fantastic
Re: Bootleg with AI...
Yeah. The real strength of UVR5 is how cleanly it separates and extracts the vocals even if they're buried deeply in the mix. It provides a lot of potential for someone who knows what they're doing (i.e.: not me) to get some interesting results.