Lou Reed. Live at the Alice Tully Hall. NY. 27-01-73. SBD

[schnittstelle]

Lou Reed
Alice Tully Hall
New York City, NY
Jan 27, 1973

soundboard>Flac>Wav>CoolEdit ProV.21>Flac8

1. White Light/White Heat
2. Wagon Wheel
3. I'm Waiting For The Man
4. Walk And Talk It
5. Sweet Jane
6. New Age (interruption)
7. Vicious
8. I Can't Stand It
9. Satellite Of Love
10.Heroin
11.I'm So Free
12.Walk On The Wild Side
13.Rock And Roll
14.Sister Ray

I grabbed this from Dime a few years back. I think this is a great show. All I have done is name the tracks and grab some pics and text off the net.
I hope Mr Thompson does not mind having his work shared with the good folks at DaD.

It was official. Hell had frozen over, pigs were flying, and Lou Reed was on the edge of superstardom, beating out of every radio in the land with those colored girls
going ?doo doo doo." Less than three weeks after this concert, Walk On The Wild Side would become Reed?s first (and so far, only) Billboard chart entry - which, in turn,
means this is one of the last recordings you?re going to hear where he's playing to the converted alone, before the chart-hopping masses stopped grooving to Grand Funk and got into Heroin instead.

A partisan New York audience makes him feel at home, though, and if the band is a little fussier than subsequent Reed combos, the nifty little guitar licks and drum fills that flicker and flash through every song give the performance a cheerful buoyancy that Lou rarely permitted in later years.
Walk And Talk It is pure pop, of course. But so is the opening White Light, and if Waiting For The Man has a subdued sobriety, an unknown onstage voice makes up for it when it demands ?cut down on the feedback!" Cut down on the feedback at a Lou Reed gig? Yeah, right.
Oh, and while Heroin is probably the perkiest you?ve ever heard, the encore Sister Ray is positive Partridge Family territory, so cheerful and chipper that you?d never believe that it still rates among the most forebodingly sinister songs Reed has ever written. Shame it truncates at eight minutes, though; there are a longer versions available on other period recordings, and they're even bouncier!

Excellent (if a teensy bit treble-y) sound, great stereo separation and a solid set that marches through Velvets and solo highlights alike, this might not be the best 1972-1973 era Reed show available, but it's certainly one of the best quality. - Dave Thompson


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